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Biography

Joaquin Barrios Barrios (Santa Fe de Bogota) Studies Workshop 1975-79 dibujo y pintura David Manzur. Bogota, Colombia 1977-78 Atelier recorded, Universidad Nacional de Colombia, Bogotá, 1998 Workshop Calcografica recorded, conductor March Catalan Manel Mart new way to Villa de Leyva Colombia; 1999 Workshop recorded in color, technique Hayter, maestro Peruano Juan Valladares, Director of Hayter's Atelier 17 in Paris. In the company of Colombian maestro Augusto Rendon opens workshop recorded...

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94.49 x 39.37 in
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Joaquin Barrios Barrios (Santa Fe de Bogota) Studies Workshop 1975-79 dibujo y pintura David Manzur. Bogota, Colombia 1977-78 Atelier recorded, Universidad Nacional de Colombia, Bogotá, 1998 Workshop Calcografica recorded, conductor March Catalan Manel Mart new way to Villa de Leyva Colombia; 1999 Workshop recorded in color, technique Hayter, maestro Peruano Juan Valladares, Director of Hayter's Atelier 17 in Paris. In the company of Colombian maestro Augusto Rendon opens workshop recorded in Bogotá, 2000 Working therein workshop Manel Mart in March, Barcelona, ??Spain; Individual Exhibition: 2005 "Tierra y Cosmos" The Wall Gallery, Bogotá, 2003 "vital signs" The Wall Gallery, Bogotá, Centro Cultural Reyes Católicos, Bogotá, 2002 Steilman Gallery, Lenox Massachusetts, 2001 Waiting Room Gallery, Bogotá, 2000 Grand Logia de Colombia, Outdoor Francisco de Paula Santander, Bogota; Gallery Taps, Sant Feliu, Gerona Spain, 1997 Fenavip, Bogotá, 1996 "Desnudos" Fenalco, Fine Art Show, Bogota, "Faces and Desnudos" Gallery Guan, Bogotá, 1992 "Ink and Acrylics "Casa de la Cultura Tabio; 1983 Gallery La Plume, Bogota; passers 1980" Gallery La imaginary Bogota since 1975 participates in over 40 group exhibitions in countries like Ecuador, Argentina, United States, Germany, Spain, Mexico, Switzerland , Colombia, Other People, 2008 "vision" Naxica Gallery. Mexico City. 2009 "solid and atmospheric" Expresso del Arte Gallery, Bogotá

All art VERDADERO Meeting su reason in the visceral image. The words, Enel refracta how this celebration of spirit through the grounds of a space that is earth, air, water, which is in short fertility.

Did these forums for the initial presumption nombre "art" to which Aquellos bisonttes caballos y (with) fused with him Hombre y sus circumstances, reveal the shapes and materials of the representations which led up to the hare poco known as Civilization. Hence, as in sugar cualquier y movimientos look at the routes the History of Art-Renaissance, Romanticism Postvanguardias to either find a legitimate filiation, travez of themes, styles the references, the first with this nature that he constituye stage of life.

The work of Colombian artist Joaquín Neighborhoods for honest, authentic and contemporary pictorial evidence of this lineage. In principle, we are dealing with frames, bell collapsed sections of a reality that is the aspire, but that all llevar inside. No one can find themes, because one soo moviento compose the symphony of textures of these, on occasions such as simulation of gestures into screams Sordo, Dejan apprehend that in a blow to the vastness of dtermine paisaje. Other Paisajes, because these are the cociencia of that mark, a testimony to his existence Hombre en la su vulnerability of the universe.

If we had it so Ubicar Neighborhoods, he would decide by qu visuality, that is, by this image of a painting that spare farm with him and the anthropological study sociology because su balcony of the red ink of tierray sus creations dash with a safe, precisely because he know that everything above dibujo bueno cualquier Novedad him design them Visine, narrates, describes, illustrates that more esos ends without words that are the feeling and emotion of everyday life. Esos that causes the Tien but his place in the vibrations in entendimiento de lo Tien in that direction. These walls of artistic conviction and craft, good intentions mean pudia public each of whom participated.

For Joachim, contemplation gives way to compromise on field work su, because the light spots and the sus suns painted words, the only sound esueltas brush by him, with bell whose discretion he discierne intensely about what there is then the domain of the image of su written realities, alli latent among the forms that are not defined because cuajada in each of the experiments, since these views are states universalis Hombre, and at the beginning of the standard. So it is su su patience and persistence, qualities of the always possible to appreciate in her work of art, how much is paint is aware su transcendence. So jump, learn, discuss, if hidden, illuminating it with the purpose of building this other story that aspires conocer published news that the truth is this earth and link to "sus fingers.

Aurelio Horta Meza.

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